The romantic comedy Five Blind Dates made its debut on Prime Video just a year ago, and now a remake titled Picture This has arrived on the same platform. At first glance, this might seem redundant, especially since both films are in English and follow a similar premise—a 29-year-old woman navigating personal and professional crossroads. However, Picture This proves its worth by delving into its subject matter through the rich and vibrant lens of Indian culture. Directed by Prarthana Mohan, the film retains the heartfelt themes of self-discovery and empowerment present in its predecessor but infuses them with a unique cultural perspective, making it a fresh and engaging watch. The movie is a delightful blend of humor, sentiment, and sincerity, capturing the essence of its source material while offering something new and resonant.
At the heart of Picture This is Pia, a free-spirited London-based photographer played by Simone Ashley. Pia loves her work and values her independence, but her life is currently a mess. Her photography studio, which she poured her heart and soul into as a tribute to her late grandmother, is struggling financially. Her dedication to her artistic vision has left her neglecting her love life, and she finds herself without any serious prospects. Her closest confidant is Jay, her gay best friend and employee, played by Luke Fetherston, who offers support and humor as her life becomes more complicated. Just as Pia is trying to keep her studio afloat, her overbearing mother, Laxmi (Sindhu Vee), drops a bombshell during her younger sister Sonal’s (Anoushka Chadha) wedding preparations. Laxmi announces that Pia will inherit the family’s treasured heirloom but only if she marries. Instead of resorting to the typical “fake groom” trope, the filmmakers take a smarter approach: Pia agrees to go on five blind dates set up by her family, with the hope that by the fifth date, she’ll have found both love and professional success.
While Picture This follows a similar structure to its predecessor, director Prarthana Mohan and screenwriter Nikita Lalwani have made thoughtful adjustments to the narrative, enhancing the story with cultural nuances and a deeper exploration of Pia’s journey. The five blind dates provide ample opportunities for humor and character growth, with each suitor offering a unique and often comedic challenge for Pia. For instance, one date features a self-absorbed, neurotic man from a wealthy Bombay family, while another introduces a quirky spiritualist with questionable beliefs. These interactions are both entertaining and revealing, showcasing Pia’s resilience and evolution as she navigates her personal and professional life. However, some of these setups feel a bit contrived, and not all the humor lands as intended. Nevertheless, the film’s genuine heart and Pia’s relatable struggles keep the audience invested, rooting for her as she works to save her business, find love, and reconnect with her own drive and passion.
Visually, Picture This is a treat, with a vibrant, electric pop aesthetic that brings both the chaos and beauty of Pia’s world to life. The film employs split-screen montages effectively, using them to transition between scenes and provide a sense of urgency and movement. These montages skillfully capture the colorful, lively atmosphere of Indian cultural traditions, such as henna ceremonies, juxtaposed with Pia’s frantic attempts to balance her personal and professional responsibilities. The film’s use of color, texture, and music is equally impressive, creating a visual feast that complements the story’s emotional depth.
Simone Ashley shines as Pia, delivering a charming and humorous performance that easily draws the audience into her world. With her quick wit and relatable struggles, she embodies the same kind of plucky, endearing heroine that made Julia Roberts a star in My Best Friend’s Wedding. Luke Fetherston, as Pia’s friend Jay, is equally impressive, offering both comedic relief and emotional depth in his role. His chemistry with Ashley is undeniable, and their dynamic provides some of the film’s most memorable moments. Hero Fiennes Tiffin, as Pia’s ex-boyfriend Charlie, has the dashing good looks of a leading man but struggles to match the same level of charisma and emotional resonance as Ashley and Fetherston. Despite this, his character serves as an important point of tension and nostalgia in Pia’s journey, evoking the iconic Mr. Darcy archetype from Pride and Prejudice.
The success of Picture This highlights the universal appeal of its premise, which, much like Paolo Genovese’s Perfect Strangers franchise, lends itself to diverse interpretations and remakes across different cultures. The story’s themes of love, identity, and self-discovery, combined with its romantic and magical elements, make it a compelling choice for filmmakers worldwide. By rooting the narrative in Indian culture, Picture This not only offers a fresh perspective on familiar themes but also celebrates the beauty and richness of its cultural setting. This approach ensures that the film stands out in the crowded romantic comedy genre, offering audiences a heartwarming and visually stunning experience.
In conclusion, Picture This is a heartfelt and engaging romantic comedy that successfully reimagines its source material through the vibrant lens of Indian culture. With its talented cast, colorful visuals, and relatable themes, the film is a testament to the enduring appeal of stories about love, self-discovery, and empowerment. While it may not break new ground in its storyline, the film’s sincerity, humor, and cultural richness make it a worthwhile and enjoyable watch. As the concept continues to inspire filmmakers around the world, Picture This stands as a charming example of how diversity and creativity can breathe new life into familiar narratives.
