Ray Panthaki, a British actor and filmmaker known for his compelling roles in films like Boiling Point and Colette, as well as the TV series The Serpent Queen, is taking a significant step forward in his career by making his feature directorial debut with In Starland. This highly anticipated project is not only a milestone for Panthaki but also a deeply personal and thought-provoking exploration of themes that resonate with audiences on a human level. Drawing from a story conceived by Panthaki himself and co-written with Jason Kavan, In Starland promises to be a raw and emotional journey into the complexities of generational divides and the power of human connection. The film’s announcement has already generated excitement, as it brings together a talented cast and crew, and marks a new chapter in Panthaki’s already distinguished career.
Leading the cast of In Starland is Clarence Maclin, an actor who has recently garnered widespread acclaim for his breakout performance in Sing Sing. Maclin’s portrayal in that film earned him numerous award nominations, including BAFTA, Critics’ Choice, and Independent Spirit Awards, as well as an Oscar nomination for best adapted screenplay alongside Greg Kwedar, Clint Bentley, and John ‘Divine G’ Whitfield. In Starland represents Maclin’s first major leading role, a testament to his growing reputation as a versatile and impactful performer. The film’s producers have expressed confidence in Maclin’s ability to bring depth and nuance to the lead character, whose journey lies at the heart of the story. The project is further bolstered by the involvement of Panthaki and Daniel Khalili, who are producing under their newly formed production company, Le Bateau Lavoir. This venture follows Panthaki’s previous work under the Urban Way banner, which produced films like Boiling Point and Convenience. Adding to the production’s credibility is Emmy-winning producer Daisy Allsop, who is also on board under her Archface banner. Together, this team brings a wealth of experience and a shared vision to bring In Starland to life.
At its core, In Starland is described as a “coming-of-middle-age” drama, a term that captures the essence of its narrative. The film follows a man grappling with the constraints of small-town life, striving to break free from the challenges that have defined his existence. His journey takes a profound turn when he encounters a group of bold and unconventional young creators. These individuals, unafraid to defy tradition, pull him into their vibrant world, sparking a transformation that challenges his views and broadens his perspective. According to the producers, In Starland is a poetic and introspective character study that delves into the vast emotional and cultural gaps between two generations. What makes this exploration unique is that these divides are not merely the result of time but are exacerbated by the rapid rise of technology, which has reshaped the way people interact, relate, and understand one another. The film, therefore, serves as a commentary on the modern world, where the pace of change often leaves individuals and communities struggling to connect across generational lines.
For Panthaki, In Starland is more than just a directorial debut; it is a deeply personal and spiritual project that has been years in the making. “This film has been with me for years, taking shape long before I began writing it,” he shared. “It’s personal and comes from a deeply spiritual place. But more than that, it’s my way of making sense of the world—of expressing the things I see, feel, and question in a way that only film allows.” These words underscore the emotional investment Panthaki has poured into the project, which reflects his own experiences, observations, and reflections on the human condition. The film is not just a story; it is a reflection of his inner world, offering audiences a glimpse into the complexities of life that we all navigate. By blending the personal with the universal, Panthaki aims to create a cinematic experience that resonates with viewers on multiple levels.
Clarence Maclin, who plays the lead role in In Starland, has also expressed his enthusiasm for the project. “I’m thrilled to be a part of In Starland,” he said. “This material spoke to me because it explores the complexities of self-discovery and the human condition in such a unique and modern way. Ray Panthaki’s vision for this film is both bold and insightful, and I am excited to bring this story to life under his direction.” Maclin’s involvement adds another layer of excitement to the project, as his nuanced performances have already demonstrated his ability to portray complex characters with depth and authenticity. His commitment to the film highlights the strong connection he feels with its themes and the trust he has in Panthaki’s direction. Together, they aim to create a cinematic experience that not only tells a compelling story but also invites audiences to reflect on their own lives and the world around them.
As production on In Starland prepares to commence in the U.S. in April, anticipation continues to build. Panthaki’s transition from actor to director is a natural progression, given his extensive experience in both fields. His critically acclaimed shorts, Life Sentence and Ernie, have already showcased his storytelling prowess and emotional depth. With In Starland, he is poised to make an even greater impact, leveraging his unique voice to explore universal themes that resonate with audiences. The film’s exploration of generational divides and human connection could not come at a more relevant time, as society grapples with the challenges of technological advancement and the need for meaningful relationships in an increasingly fragmented world. In Starland is not just a film about personal growth; it is a testament to the enduring power of connection and the boundless potential of the human spirit. As the project moves forward, one thing is clear: Ray Panthaki and Clarence Maclin are set to deliver a cinematic experience that will leave audiences moved, inspired, and eager for more.
