“Bookish,” the highly anticipated television series, is set to captivate audiences with its intriguing blend of intellect, emotion, and mystery, all unfolding against the backdrop of post-World War II London. Created by Mark Gatiss, renowned for his work on “Sherlock,” and screenwriter Matthew Sweet, this six-episode drama promises a sophisticated exploration of crime, complex characters, and the nuanced portrayal of LGBTQ experiences during a time of societal repression. Produced by Eagle Eye Drama in collaboration with Happy Duck Films, with support from the Belgian Tax Shelter, “Bookish” is set to premiere on UKTV’s Alibi channel, with PBS Distribution handling North American rights and Beta Film overseeing global sales. This series is poised to offer a fresh perspective on a gritty yet charismatic London, where the remnants of war intertwine with the city’s enduring charm.
At the heart of “Bookish” is its enigmatic protagonist, Book, portrayed by Gatiss himself. A former military spy turned maverick detective and bookshop owner, Book operates from a quaint storefront on Archangel Lane, offering his services to the local police in solving intricate cases. Beyond his professional facade, Book’s personal life is a tapestry of complexity. He is in a “lavender marriage” with Trottie, played by Polly Walker, who runs a neighboring wallpaper shop. Their union, built on mutual respect and love, lacks romantic attraction, mirroring the societal norms of the 1940s that criminalized homosexuality. This narrative not only delves into the past but also resonates with contemporary themes of identity and societal change, making it a timeless tale of human resilience.
The series distinguishes itself within the crime genre by embracing a “comfy crime” approach, offering viewers a respite from the grittier, gorier dramas prevalent today. Each episode provides a self-contained dilemma resolved within 46 minutes, often with justice prevailing. This format, as described by Eagle Eye CEO Walter Iuzzolino, combines intellectual sophistication with a portrayal of a fractured London, where a gay man navigates a lavender marriage and works to heal tragedy. This unique blend not only entertains but also provokes thought, making it a standout in modern television.
The production team, including Chief Creative Officer Jo McGrath, has crafted a vivid portrayal of post-war London, capturing its chaos and danger, particularly for a gay man in an illegal relationship. This setting is juxtaposed with the deep, nurturing relationships among characters, who find solace in each other’s company, creating a sense of family in a fractured world. The arrival of Jack, a young man with a troubled past, introduces suspense and adds layers of intrigue, as his true intentions remain uncertain, unveiling long-buried secrets.
“Bookish” employs an innovative narrative structure, with each crime spanning two episodes. This approach allows for a layered mystery, intertwining personal stories with the central crime plot. The series thus offers both the satisfaction of episodic resolution and the engagement of ongoing character development, a formula that could extend beyond the first season, as the team contemplates future stories set in Book’s world.
In conclusion, “Bookish” represents a unique blend of historical drama and modern sensibilities, offering a captivating escape into a world of mystery and human connection. With its rich storytelling, complex characters, and nuanced themes, the series is poised to leave a lasting impact on audiences and the television landscape alike.
